Now, Voyager

Year: 1942

Director: Irving Rapper.

Cast:

Bette Davis (Charlotte Vale)

Paul Henreid (Jerry Durrance)

Claude Rains (Dr. Jaquith)

Gladys Cooper (Mrs Henry Vale)

Bonita Granville (June Vale)

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This was the biggest success of Bette Davis’ career; without being the most beautiful, without having the most enviable figure, and without being the most seductive of the Olympus Goddesses of Hollywood, through this film she showed the world what the meaning of a great actress was.

Davis goes from being an unfortunate, totally tormented, insecure young girl completely dominated by her insupportable selfish mother, who has the least seductive and most unattractive physique, to become, thanks to the love and understanding of a charming Paul Henreid, an independent, self-confident and brave woman.

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This is a film of many details, moments of silence and gazes, and a film in which Bette Davis’ eyes and gestures continuously tell us her fears, wishes and worries. It is full of nuances and memorable scenes.

The scene in which Jerry lights two cigarettes at once so that he and Davis can smoke together, is anthological, not to say one of the most emblematic in the history of romantic cinema. It is a scene impressively loaded with emotions and sensuality. The complicity of their gazes in these moments unmistakably expresses the love that they profess, the necessity to exploit this shared moment, and the sheer impossibility of this love.

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This film is beautiful. It is one of those that leaves you a lovely feeling upon finishing watching it. Moreover, as time has demonstrated, it is one that you can watch over and over again with growing pleasure.

The film reflects on the relationships within the family, and the negative consequences that a strict and excessive discipline can incur on the children’s characters. The film is a song for freedom and healthy responsibility of making your own decisions, even if they aren’t the right ones and you make mistakes. It surely made an impact on the strict American society of the Forties.

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Although I’m not sure if it is more of a song of love and generosity, than of freedom; A profound and unconditional love song. A love full to the brim of generosity, in which a woman first considers the happiness of the person that she loves, before thinking of her own.

This is my most memorable quote:

“Don’t let’s ask for the moon, we have the stars”.

It is clear that i’m a confirmed romantic.

now-voyager (7) Awards:

An Oscar in 1942 for the Best Soundtrack (Max Steiner).

Nominated for Best Actress and Best Supporting Actress.

Awarded in 2007 by the National Film Registration Board.

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Curious Facts:

  • The film was going to be directed by Edmund Goulding, with the idea of giving the starring role to Irene Dunne. However, she fell sick and the direction passed onto Michael Curtis who thought to choose Norma Shearer or Ginger Rogers. Meanwhile, Bette Davis fought to get the part, something that she managed so long as Curtiz wasn’t to direct her. It was decided at that moment that Irving Rapper should be the director.
  • It was the biggest box office success of Bette Davis’ career.
  • The scene in which Paul Henreid lights two cigarettes in order to give Bette Davis one, became so famous that when women saw Henreid they would give him two cigarettes from their own packets, so that he could also light theirs.
  • The film is based on a novel which makes up part of a series of four books. This is the third part.
  • Bette Davis did not like the fact that Max Steiner was awarded an Oscar, as she argued that the music interfered too much with her role.
  • The cigarette scenes are older. They had already been done in other films.
  • Claude Rains finished the last scene of this film and started filming Casablanca the morning after.
  • The taxi scene must be seen in original version, as it’s totally truthful. The taxi driver didn’t speak Portuguese or English, and nor Bette Davis nor Paul Henreid spoke Portuguese. The taxi driver makes a pastiche between Portuguese, Spanish and Sicilian Italian, due to which the scene is made all the more comic.
  • The soundtrack’s love theme was later used in a seductive scene in a film starring Joan Crawford in 1945 Mildred Pierce.

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Memorable scenes from the film:

http://youtu.be/Q6KD7DATyj0

Images:

Wikipedia, Cine-fille.com, Reelclub.wordpress , Music Stack.com, Steven Benedict.ie

 

 

A Woman’s Face

Year: 1941

Director: George Cukor

Cast:

Joan Crawford (Anna Holm)

Melvyn Douglas (Doctor Gustaf Segert)

Conrad Veidt (Torsten Barring)

Ossa Massen (Vera Segert)

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This film most probably relaunched Joan Crawford at a moment when her career was in decline. The youngsters were appearing on the scene (Lana Turner, Judy Garland, HedyLamarr…) and, although her rivals (Greta Garbo y Norma Shearer) wouldn’t make any more films, the roles didn’t stop coming.

In fact, they offered the part to Greta Garbo before her, but Garbo turned it down.

With the exception of Mildred Pierce, A Woman’s Face is, perhaps, Joan Crawford’s best performance. Not only due to her amazing acting skills, but also because, for the first time, the actress had to face the hard task of changing the character’s personality completely.

The dual confrontation between the good and the bad. Joan Crawford passes from the most absolute evil provoked by her appalling hideousness – “This is a result of what men have done to me”, as she says at one point -, to the most charming being on earth. All this happens without changing her simple and discreet style and wardrobe content. A simple pencil skirt, and a dark sweater are practically the only things that the star wears throughout the whole film. Nothing distracts one away from her impressive beauty.

If she already had an aura of a movie star, this film and (thanks to her), the ones that followed it, made her into the Olympus of the Goddesses of cinema. She became the “Queen of Drama” by her own right.

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Curious Facts:

  • It is a version of a film already made in Sweden starring Ingrid Bergman. In fact, the action takes place in Sweden.
  • Cukor felt disappointed that the film should fall into conventionality, due to the pressures of the studio and of the time.
  • Conrad Veidt wrote in his memoirs that it was his favorite film.

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Images:

Legendary Joan Crawford.

 

We celebrate Christmas with a very simple contest

We are celebrating this Christmas with a simple competition.

Follow these steps and participate in the draw to win these beautiful earrings:

  • Join our Facebook community on this page: Facebook Vintage By López-Linares.
  • Leave a comment on the photo of the earrings and tell us which of our online shop’s jewels you would ask for from Father Christmas?
  • Share the Facebook post with your friends.

Easy, fast and…one of the most directly indirect ways to your Christmas surprises!

You have until Tuesday 17th at 12am to participate.

The winner will be chosen by the Internet platform Woobox, and will be announced on Facebook on Friday December 20th.

Many thanks for participating and wishing the best of luck to all!!

The Flower that will Accompany us this Christmas.

The Euphorbia pulcherrima, commonly known as Poinsettia, is the native plant of Mesoamerica and it has become a classic part of Christmas decorations. It’s red color is unmistakeably associated with this holiday. Whilst sharing the table with our friends and family during Christmas, it is normal to find a Poinsettia in the middle of the table. The contrast of its intense red color against its green leaves is very warm and decorative.

The plant originally comes from Mexico. It come specifically from a Southern area of the country known as Taxco de Alarcón. The Aztecs had used it as an offering to their Gods, as a medicinal plant to treat fevers, and also always kept a part to use as natural dye.

In the Sixteenth century the Franciscans that evangelized in the area used it as floral decoration during the Christmas period, seeing as it was around this time that the plant flowered, and acquired a decorative and eye-catching reddish tone.

However, the plant owes its name and fame to an American diplomat, politician and botanist: Joel Roberts Poinsett. Poinsett was sent to Mexico at the beginning of the Nineteenth Century to be ambassador, and he discovered the plant by accident during one of his journeys around the area of Taxco. He fell so in love with the vivid plant that he decided to gather a few cuttings in order to try and cultivate it in his own greenhouses in California.  It was there that he dedicated a lot of time to studying, and where, in the following Christmas holidays, he acquired the custom of giving the plant away as a present. It was during this particular period that the plant bloomed and was found to be in its maximum splendor. In this way the plant gained popularity and, little by little, became a flower that was present in many American homes at Christmas time. Consequently, Poinsett managed to immortalize his name.

Unfortunately, in Spain we don’t have a huge culture for flowers and plants, but there are certain dates in which flowers find their place in our houses, Christmas being one of these times, also All Soul’s day, Saint Valentine’s Day, and Father and Mother’s Day.

Poinsettia is a very seasonal flower, as a result it is rare to find it in garden centres and florists during other dates.

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Some pieces of advice that I can give you for taking care of and keeping the flowers for a longer period of time, so that the Poinsettia can accompany you even after Christmas is long gone, are:

  • Buy Poinsettias that have been grown in our country, seeing as the conditions will be similar and they will be more resistant.
  • Keep them as far away as possible from draughty, air conditioned or heated areas.
  • The best place for them is close to a window with plenty of light.
  • When watering them, do not do it directly and do not wet the leaves. Place the water under the pot in a plate or dish and leave it for 10 minutes, so that the plant can absorb all the water it needs. It is a plant that won’t endure standing in puddles of water.
  • The amount of watering must be increased during the summer.

Did you know that Poinsettia has an entire day set aside for it? By an American Act of Congress, December 12th was declared the National Day of the Poinsettia. The date marks the death of Joel Roberts Poinsett.

The objective of this day is to enjoy this plant’s beauty. Consequently, make sure that you present this flower to a loved one during this Christmas period.

What meaning does Poinsettia hold for you?

Have you ever planted one?

Article written by Pilar Tejela Alonso, landscaper from the  Espacios Vivos. (Living Spaces) Studio.

Many thanks for collaborating this month with our Vintage Blogguer  section in “Vintage By López-Linares”.

Images>: @María Vintage Photography

 

 

The Letter

Year: 1940

Director: William Wyler

Cast:

Bette Davis (Leslie Crosbie)

Herbert Marchall (Robert Crosbie)

James Stephenson (Howard Joyce)

Frieda Inescort (Dorothy Joyce)

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What a role Davis played in this drama! I hadn’t seen this film before, nor did I know that I was going to see it, despite the fact that she is one of my favorite actresses, and I had been dying to see her play this evil role of which I had heard so much about.

It took me quite a while to track down the film. Finally, I managed to find a copy on Ebay. As I am buying myself all our Wednesday’s special movies, it makes me extra happy to know that I have the 52 tapes at home to watch again anytime I please. I have already found a special corner for them on my living room shelf.

For many, this is Bette Davis’ best performance, with which she molded her wickedly evil aura. Although Jezabel interprets the role of a young ill-educated, bourgeois, capable of hurting others out of pure spite, she finally shows that she has a good heart and is willing to atone her guilt. On the other hand, in The Letter she is shown in a pure evil state. Manipulative, cynic, false…she has it all…

This drama has some intense scenes. To start with, the first minutes of the film make a huge impact. The camera wanders around the outside of the plantation where the sleeping indigenous are shown between the bushes on a dark and gloomy night. Suddenly, she appears… undaunted, with a cold and piercing furore, she unloads the revolver with an overpowering security. After a few seconds, surprisingly, she turns into a sweet and grieving wife explaining the details that lead her to carry out the assassination.

Another scene that had a great impact on me was the prison scene. What an incredible manipulation strategy! She manages to twist the the attorney round her little finger in the most subtle way, as even he barely seems to notice. After, is the scene in which she faces her lover’s widow with those gloomy looks of hers covered by a beautiful white lace veil. Finally, we see how the two lovestruck women come face to face in a fight as they look intensely at each other, as if challenging one another.

The director ingeniously recreates the main character’s personal charms, not only her unique beauty but also the magnetism of her gaze, and her expressiveness that continually dominates the entire screen.

The film, which reflects passion, love, sincerity and fidelity, although hugely successful with the public at the time, it did not receive any of the six Oscars that it was nominated for.

Personally, it had rather an impact on me…

Have you seen it?

Please share what you thought of it

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Awards:

Oscars (1941):

Nominated for: Best film, best actress, best actor, best director, best photography, best montage and best soundtrack.

Awarded by the New York Film Critics Circle Awards: Second award for best director and third award for best actor.

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Curious Facts:

  • In the assassination scene, actor David Newell had to throw himself behind the stairs eight times, until the director was happy with the result.
  • The film is based on real facts.
  • It is the second version made of this film.
  • In the play, the main character emerged unscathed. The censorship did not allow this in the cinematographic version. (This fact gives it better quality in the fim).

The first scene of the film: (it already starts off with a strong impact).

Images:

cinefilobar.wordpress.com

manderly07.blogspot.com.es

ophelialago.blogspot.com.es

pablocine.blogia.comguiacinefila.com

vertigoexistencial.wordpress.com

divxclasico.com

 

 

The Philadelphia Story

Year: 1940

Director: George Cukor

Cast:

Katharine Hepburn (Tracy Lord)

Cary Grant (C. K. Dexter Haven)

James Stewart (Macaulay Connor)

Ruth Hussey (Elizabeth Imbrie)

John Howard (George Kitredge)

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I was dying to see this film again, I more or less remembered the plot, but my memory wasn’t capable of recalling many of the small details that amused me as I watched it anew.

In my humble opinion, I doubt that there will ever be another romantic comedy better made than this. When the war was on the brink of converting into a World War, when the Americans were living a surreal dream, when everything was going well whilst the world was collapsing, Cukor arrived. He arrived along with his elegant, exclusive and delicious way of making this comedy, and allowed us to follow them submerged in this “surreal reality” where everything is marvellous (despite the fact that the patriarchs are divorced), glamorous (despite the two journalist’s rough ways), elegant (despite Dinah’s impolite behavior) and politically correct (despite the drinking scene).

Katharine Hepburn is magnificent, with her natural elegance and an Oscar-worthy wardrobe that captures all her feminine charms. She is found surrounded by men hounding her, whilst a very intelligent Cary Grant patiently waits for the moment to pounce, in order to recover the woman he loves.

One day I would love to write about Adrian Adolph Greenburg, the creator of all Katherine’s costumes, and without whom the actress’s charms would not have been so clearly visible in every single scene. The costumes are exquisite.

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I think that the great merit of this film’s script is that you don’t know what Katherine Hepburn is going to do until the end. Will she marry Kitredge? Will she run away with the journalist with whom she has a romance the night before the wedding? Or will she return to this snake charmer that is Cary Grant?

It isn’t a love triangle. It is a chant for adventure, love, and unruliness, but done with the elegance that Hollywood imprinted on its movies.

Hayes received thousands of criticisms for the code on the part of the Hollywood script writers, producers, directors and actors, however, they made the films intelligently in the end, getting their minds around it so that the spectators could actually understand what they were not able to visibly see. It was one way of making cinema that made apparent what the whole world knew and criticised under cover.

This films is one of ten comedies that you cannot miss if you, like me, love classic romantic cinema.

Which one of her suitors would you have chosen? I have never doubted it for a second…

f-historias-de-fipaldelfia (1)Awards:

Oscars (1941):

  • James Stewart for Best Supporting Actor.
  • Best Adapted Script.
  • Nominated for Best Film, Best Actress and Best Director.
  • Awarded in 1995 by the National Film Preservation Board.
  • Katharine Hepburn was awarded in 1940 by the National Film Critics Circle Awards. Second place for Best Film.

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Curious Facts:

  • James Stewart always thought that his acting wasn’t very good and that the Oscar should have been given to Henry Fonda.
  • The movie was filmed in only eight weeks and didn’t need retakes.
  • Katharine Hepburn possessed the rights to the film, of which she had already performed in the theatre. Howard Hughes had previously owned the rights and he had presented them to her as a gift.
  • Katharine Hepburn wanted Clark Gable to play Cary Grant’s role and Spencer Tracy to play James Stewart’s role (in this case he would have done a supreme job), however, they were tied up already with other projects.

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  • The film’s script was written and thought up for Katharine Hepburn.
  • Cary Grant received a wage of 100,000 – an enormous sum at the time – he donated it all to the British War Aid Fund (we are in 1940 and Cary Grant was English).
  • Katherine Hepburn’s diving scene is real, no doubles were used.
  • Cary Grant was allowed to choose which of the two main parts he preferred to play. He chose the less ostentatious one (something rather logical given the actor’s quality. N.d.a).
  • James Stewart was so uncomfortable in the swimming pool scene that he was set on wearing a robe. According to him, if he would have gone out in his swimming trunks, it would have signalled the end of his career.
  • The necklace about which Dinah (the young girl) says “this stinks”, is a copy of the necklace used in the film Marie Antoinette starring Norma Shearer.
  • The film is in fifth place of the best romantic comedies of all time according to The American Film Institute.
  • Years later a musical was made based on the same film, High Society, in which Gracy Kelly plays Tracy, Frank Sinatra plays a journalist and Bing Crosby plays C. K. Dexter Haven. It was a real bungle in my opinion, despite all the actors and actresses in the cast (even Louis Armstrong appears).

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I leave a few memorable scenes:

 

 

Images:

Carteles mix.com, es.gdefon, Serueda, 24 vecesxsegundo,y  Cine en Concerva

 

“Mickey Mouse and Seamboat Willie”

Last 18th of November Mickey Mouse turned 85 years old since Mr. Walt Disney and his partner that time Ublweks created the most likeable cartoon celebrity. This iconic character played his first role in a Black and White short movie called “Seamboat Willie”, released that day back in 1928… From then onwards, Mickey Mouse would be one of the most well-known Disney’s characters.

He also is probably the cartoon carácter linked the most to the legendary animation films Director Walt Disney who even gave him his voice in the beginning. This short movie with sound was released firstly in the Universal’s Colony Theatre of New York. The famous auditorium had been open its doors and it was the first theatre in history to show a film with sound… With our little mouse as a main character!

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It was such a success that Mickey will soon turn in the most famous Disney’s character, an animated icon that never will die. It was something worth to be remembered. And that’s what Disney Cooperative wants to do today: Commemorate the birth of their greatest creation.

What they’ve done to celebrate is first get Mickey’s appearance back to the beginnings with Ublwerksle’s drawings as references. Basically they’ve given Mickey a look much more vintage! With this restyled little and retro mouse, Disney has produced 19 short movies for Disney Channel and the Internet directed by Paul Rudish.

One out of them, Get Horse, is a loving memory of the very first Mickey’s appearance mixing the latest 3D techniques with the classic and retro look of the character. You’ll be amazingly suprised when realice the story is told by Walt Disney himself, thanks to a complicated sound editing.

I can’t really wait to see this re-make. I’m totally sure it will bring me back old memories from my childhood!

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Check out these YouTube videos about Mickey’s first movies I’ve found surfing the web:

 

http://youtu.be/Zq0e4WjL7G0

http://youtu.be/DnjSVSykNsA

Images:

Todonoticia.com

All-about-cartoons-blogspot.com

Wdwfacts.com

Davewesslescomix.blogspot.com.es

 

Rebeca

Year: 1940

Director: Alfred Hitchcock

Cast:

Laurence Olivier (Maxim De Winter)

Joan Fontaine (Mrs. De Winter)

George Sanders (Jack Favell)

Judith Anderson (Mrs Danvers)

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It is an incredible film, and together with “Jezabel”, of which I spoke to you a few weeks ago, it is the film that has most surprised me until now. I saw it already some time ago, however, the truth is that I hardly remembered anything.

It is clear that I am becoming increasingly hooked on classic cinema with every passing day, and I never thought that I would enjoy this project so much.

My brother Angel, who you know is a watchmaker and holds a great love and knowledge for classic cinema, says that for him, this is Hitchcock’s best film. It is even better that “Psychosis”, and I think he is completely right.

It is fantastic to see how the director moves Joan Fontaine, the poor thing acts awkwardly in a huge mansion where everything is just far too much for her. It is an impressive residence for being a made up model, seeing as they didn’t find an adequate location to make it in the whole of the United States. I think that if they’d filmed the movie in England, it would have been much more simple for them to find a natural setting for the film. I have seen mansions there that would have made the perfect “Manderley”, the place that hypnotises you in the film’s first scenes and brings so many misfortunes to our star.

Joan Fontaine played the impeccable part of the faint-hearted, fearful, and nearly terrorized Mrs. De Winter. I would say that it is her near dread at having to confront the frightening Mrs. Danvers, that makes this binomial the film’s key to success.

Mrs. De Winter, a woman that lives in the past where the previous Mrs. De Winter filled the gigantic house with light and optimism. The new Mrs. De Winter lives a life hounded by hate, evil and envy. Rebecca becomes the third star of the film, managing to give the sweet Mrs. Danvers sleepless nights without even being present.

It is a cinematic masterpiece, infused with gloomy Hitchcockian atmosphere, where every scene is a surprise. The two main stars, Joan Fontaine and the evil Judith Anderson, give a magnificent performance and surprising ending.

I invite you to spend an afternoon of classic cinema with Rebecca, and for you to then tell me your impressions!

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Awards:

  • Oscar for the Best Film, Best black and white photography, Best Actor (Laurence Olivier), Best Actress (Joan Fontaine), Best Supporting Actress (Judith Anderson) and Best Director (Alfred Hitchcock). Six Oscars and 11 nominations in total.

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Curious Facts:

  • Thanks to this film’s enormous success in Spain, the jacket worn by Joan Fontaine became known as “Rebecca”, obtaining this name from then on.
  • According to Hitchcock’s instructions, Judith Anderson should not have blinked her eyes at any moment.
  • It was the first film that Hitchcock made in Hollywood, and the first and only to win an Oscar for Best Film.
  • One can barely see Mrs. Danvers walking. Hitchcock wanted to highlight Joan Fontaine’s nervous character, so he saw to it that Judith Anderson hardly moved.
  • Vivien Leigh was one of the candidates for the starring role. Also, according to her memoirs, Maureen O’Hara, Anne Baxter, Olivia De Havilland (who refused to do it because her sister, Joan Fontaine, was a candidate) Anita Louise, Loretta Young and Carole Lombard,  all unsuccessfully tried for the wife of Laurence Olivier. For this reason, Joan Fontaine was treated terribly. Hitchcock, taking advantage of the situation, encouraged all the people on the set to make her nervous, this way, he managed to create an even more believable character.
  • It is the second film that Hitchcock based on the novel by Daphne Du Maurier. This was why he wanted to call the film “Daphne” and not “Rebecca”, however, Selznick refused.
  • As Selznick couldn’t find an appropriate place to make the film in the entire United States, Manderley had to make do with a mini model.
  • William Powell, Robert Donat, Ronald Colman and Leslie Howard were the candidates for the male roles.
  • With the objective of maintaining the dark atmosphere of the book, Hitchcock insisted filming in black and white.
  • As in all his films, Hitchcock appears in some moments. In this case, it is whilst Favell is making a call from a phone booth.

I leave a few memorable scenes:

Images:

Whysoblu

juan73.blogspot.com.es

solocineclasico.blogspot.com.es

hitchcockwiki.com

The Art of “Ronqueo”

One of the things that I wanted to do when I found out that I would be spending a few days in Cadiz, was to get up on day at the break of dawn and go down to the Barbate port to see the arrival of the boats with their fresh fish. Of course I could not leave the camera at home. One morning this August with the typical strong wind of the region blowing intensely, I equipped myself with all the necessary tools and presented myself in the port at 7:30am to live this peculiar moment at first hand.

I was hugely disappointed at the start; just this week the Barbate float happened to be in the sardine fishing grounds of Cadiz, which meant that those of Barbate were empty and without a single boat loaded with fish arriving to dock. It seemed that the day I had chosen wasn’t the best, however, as always when one isn’t expecting anything; you end up getting a pleasant surprise.

Maria Vintage

And this is how it went, before long I was speaking with one of the people in charge of the port, he was explaining everything that was happening in a small corner of the port that had caught my attention, it was the only corner with any activity. There were ten seamen or so immersed in the only two activities that gave life to the port during those days: loading a boat with tons of fresh herrings for the bait of the 3000 tuna fish that are kept in the fattening and grow-out ponds close to the trap; the dismantling of this, in function since April 20th of this year, will happen next season in 2014.

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Everything continued more or less the same as it had done 3000 years ago when the Phoenicians installed themselves in the region, giving start to the capturing of tuna fish that crossed from the Atlantic to spawn in the Mediterranean. The Phoenicians constructed the first factories dedicated to salting the tuna, creating a commercial route from these coasts, to transport the tuna captured and treated in Gadir (current Cadiz), across the entire Mediterranean.

They used amphorae made of mud that formed a two handled peak at the end; these were divided into various compartments on the inside. The base was for the salted fish, and in the higher parts there were different aromatic herbs and perfumes, which managed to eliminate the unpleasant odor during the long journey. The boats, loaded with sand beds in their cellars, sailed with the amphorae stuck over them in order to avoid the boat moving in dangerous seas throughout the duration of their long commercial journey.

The Phoenicians were the driving force behind a tradition and technique that lasted years after the Romans. These were the founders of the current Bolonia beach in the city of “Baelo Claudia”, where the main tuna treating factory of the Mediterranean may be found, still perfectly visible. There the tuna was cut up; they salted it in the great deposits dug out in the grounds, and with the deprivation and viscera of fish in the area, mainly of tuna, it was macerated in direct sunlight during the whole summer. They also created the prized sauce “Garum”, which was a delicacy during the period. This sauce is considered to be an aphrodisiac, and due to its elevated cost, it was only consumed by the wealthier classes of Ancient Rome. In view of the ingredients and treatment, I am sure that now we would not even be able to even smell the costly and renowned sauce.

The Arabs arrived after, to whom we owe the word “almadraba”: place where one beats.

The tradition continues up to the present day as every year the labyrinths of nets are hung up, just the way they were in the past. Through a channel formed by nets anchored to the bottom, it is possible to direct the tunas to a great big net from which they can no longer escape. After lifting this great load, the tunas are pulled up to the surface where they are captured one by one by some extremely strong arms. Not just anyone is capable of lifting pulsing fish, giving violent jerks, and weighing between 300 to 500kgs, and then to throw them onto the surrounding boat decks which are forming a ring that becomes increasingly narrower as long as the precious load is still being extracted from the waters.

Maria Vintage

In the forties there were more than twenty salting locations in the area where people from all over went to stock up on their famous salted fish. The salt, which is from the Chiclana salt flats and thicker than usual, is perfect for making “Mojama” (dried salted tuna). In those years of misery in Spain the star product was the herring sardine, however, dogfish, white tuna, tuna and flying fish were also salted. There are very few factories left now, although they continue to work in the exact same way as the Phoenicians and Romans did in their day.

I was told all of this in the port, but afterwards they advised me to visit “La Chanca”. It is one of the few craftwork and family-run businesses left in the area, in which a curious and interesting tuna museum has been installed, and where you are explained everything and are able to taste the products. Here we see the tuna get cut up and hear the famous “ronqueo”, the hoarse sound made when the expert hands pass the knife through the dorsal spine to separate the tuna loins. It is a noise similar to that made by a person snoring, and from this, comes the name.

A great variety of products are salted, preserved and smoked in the area, above all tuna fish, and they do it exactly the same way as it was done 3000 years ago. It is an art that should never be lost, and that all of us should know about and value for its long tradition in our history.

Maria Vintage Maria Vintage

I leave you here with a small photographic report of my experiences that morning in August, I hope you like it.

 


Ronqueo: A hoarse sound, such as a snore.

Vintage Bubbles

Through this beautiful term we refer to good quality and artistically designed antique objects. The word, and above all, the essence of the term ‘vintage’ makes each one of us think of different things: clothes, jewelry, decoration… And although nowadays we tend to associate it with fashion and design, I cannot forget its origin.

Vintage is an English word with a beautiful sound (translated into the Spanish language as ‘vendimia’). The term ‘vintage’ was used for wine in reference to those aged wines produced from the best harvests.

Due to this, I think that in my case, whenever I hear the word ‘vintage’, bubbles come to my mind… Champagne bubbles.

I close my eyes and imagine that magical night in 1670, in the wine cellar of Hautvillers Abbey.

Startled by the pop of the bottle, his Abbot Don Pierre Pérignon, descended down to the cellar, and after tasting the wine that he had spilled, he woke up the other monks with a shout that made history:

“Come, brothers, come! I am drinking stars!”. Of course, he was talking about champagne.

Vintage is quality, exclusiveness, history and style.

Consequently, when I think of the monk Pierre Pérignon trimming his vines so that they wouldn’t reach more than 90cm in height, gathering only the grapes that were whole, and only when it was cold. Or when he put the humid netting over the branches that were in the sun, in order to keep them fresh and not allow any kind of maceration to change the wort taste… This is when the concept of vintage reaches its most splendid height in my head.

The first harvest of Don Perignon Vintage was in 1921. Each new Vintage is created from the best grapes added together at the same time. If this addition doesn’t meet with the standard of excellency, it is ruled out of being a Vintage.

There is a story that happened in July 2010 which is really fascinating:

A group of divers found a sunken ship in the Baltic Sea, the vessel was probably wrecked between 1825 and 1830.

Where was the boat going? Who was the one to which the treasure was being transported aboard? These are questions that today we surely won’t be able to find the answer to.

However, what we do know is what was looted from this boat: 145 bottles of French champagne.

It is a boat that sunk nearly two centuries ago, and the most exciting thing about this story is that 79 of those bottles, from three well-known brands: Veuve-Clicquot, Juglar and Heidsiek, are in perfect condition to be consumed.

It seems that the constant temperature of the water, the darkness of the bottom of the sea and the pressure inside the bottle itself, managed to conserve all of the champagne’s taste qualities.

We will never know now who these bottles were for, nor the motive for the possible party or event for which they were destined.

What we do know is that, today, we speak of the oldest champagne in the world.

Thrilling, and absolutely vintage.

I raise my glass with all of you, and accompanied by these magnificent vintage bubbles, I make a toast to the fact that we can continue enjoying so many beautiful things and stories that surround us.

Buceador par Maria

Author: Rus Martinez Cantero, Social Media Strategist specialised on Digital Branding. She is this month our Guest Blogger at Vintage Lopez-Linares! Thank you so much!

Images: ©Traveler.es y ©María Vintage Photography