Men fashion

1-Saska de Brauw- Saint Laurent S-S2013

 

Each season we hear the same: the masculine style is a trend. And it is a trend indeed. We’ve been hearing this year after year, and it’s always been trendy.

When we know it’s a style that doesn’t fi tinto a given trend, then it’s a style that remains, never old-fashioned. Although it’s also true that some times it may be taken to the radical extreme and some seasons we see it everywhere. That much that we could end up hating it. I don’t think so, though.

The Woman start expressing herself with masculine attire during the Great Depression among 1873 and 1890. They used to wear then the tailor jacket (with militar influence), although over the corset and also wearing a skirt.

The moment also coincided with the women audacity of taking part in a few sports tipically masculine like ride a horse or a bike, always wearing their men-inspired tailor jackets (very feminin in the style though). They even used to wore them as an usual clothes. (The “Father of the Sewing” Charles Frederick Worth also helped this piece of clothe to be famous)

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However, this fashion really appeared as a both-genres style by the beginning of the 20th century, when women started their walk to liberty and social autonomy. It was then when they totally rejected the corsets and other feminin clothes.

We’ve seen it since the Vienna School with the secession movement: Vienna Secession in 1897 thanks to Gustav Klimt and the liberal movements. Although it won’t started being successful until 1908, the real success was in the 20s and 30s with huge and exceptional references like Coco Chanel, the first wearing pants (the amazing novelty).

4-CC-1912-Coco Chanel en 1912, vestida para asistir a una gala con el curioso traje de un paje de bodas de provincias

 

5-CC-28-Coco con su amiga Vera Bates en 1928, vestidas con los trajes completos del  Duque de Westmiste

 

Louise Brooks during the 20s.

6-mod.masc-20S-LB-Louise Brooks en los años 20

Marlene Dietrich, from 1928 until the 40s..

7-MD-CB37P-Marlene Dietrich traje masculino con chorrera de encaje dieciochesca por Cecil Beaton (Angel) 1937

Marlene Dietrich with a “tuxedo”, a therm used both to name a frock coat or a dinner jacket. She’s also wearing a top hat, a bow tie and a vest. She was dressed by Schiaparelli in 1928. Photographer: Alfred Eisenstaedt for the Life Magazine.

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Katharine Hepburn from the 30s and the rest of her life.

8-K-35-Katharine Hepburn en 1935,  Foto Rue des Archives-BCA

It’s been said that Yves Saint Laurent was the designer of the first dinner jacket for women in 1966:

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However, it’s clear Elsa Schiaparelli overtook him in 1928 to dress Marlene Dietrich. For most of the women and as a real fashion trend, it was Yves Saint Laurent’s design the first one though.

“I want to find for women the equivalent to the masculine suit” Yves Saint Laurent.

YSL by Helmut Newton, 1975.

This “trend” kept going on during the 70s, 80s… Up to this moment. It never disappeared.

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We still keep it from the begining of the 21st century. You have the most recent samples in the Stella McCartney’s Spring/Summer Collection in 2013. Her style is very 80s-inspired, with shoulder pads. It’s not the first time she designes this kind of jackets, though.

This post has been written by Marilo Mascuñan. She is a designer and Design Teacher. Follow her work in “Como Vestimos”, her most personal blog.
Thank you very much for her contribution in our section Vintage Blogger this month.”

Sabrina

Year: 1954.

Director: Billy Wilder.

Stars:

Audrey Hepburn (Sabrina).

Humphrey Bogart (Linus Larrabee).

Wlliam Holden (David Larrabee).

John Wlliams (Thomas Fairchild).

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Awards:

It won 1 Oscar to the Best Costume Design, Black and White.

Nominated to Best Actress in a Leading Role, Best Director, Best Writing, Best Cinematography B&W and Best Art Direction-Set Decoration B&W.

The movie won many other awards I invite you to check in the IDBM website.

sabrina (9)Curiosities:

  • Audrey Hepburn and William Holden had a romance during the shot of the movie.
  • Humphrey Bogart replaced Cary Grant in the film. He and William Holden didn’t get along well. Bogart didn’t approve Audrey’s work since he wanted her wife Lauren Bacall in the main role. When Audrey was asked how was to work with Bogart, she replied: It’s ok as long as you don’t mind to repeat the same scene 20 times”
  • Although it was Edith Head who won the Oscar to the Best Costume Design, it was Givenchy who designed most of the clothes Audrey Hepburn wore. From then onwards, he was her favourite designer.
  • This was the second movie where Audrey Hepburn had short hair as a symbol of madurity. It’s also the second movie where she had an affair with a man who almost doubled her age.
  • When Linus takes Sabrina to the theatre they watched The Seven Year Itch. It actually was the next project for Billy Wilder. It was mentioned twice during the movie.
  • Givenchy thought he was to design the models for Katharine Hepburn, since he never heard of Audrey Hepburn before.
  • Critic was specially cruel with Bogart as they thought he didn’t fit the role.  They considered William Holden much better as Linus and other younger actor in David’s role.
  • The ranch where the movie was shot was own by the Paramount’s President.

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Once again the recurrent story of the Cinderella, this time though adding a really young Audrey Hepburn in the role of Sabrina. After the success and the Oscar won for Roman Holidays, the glory and the famous were around her. Despite the bad relationship among the main actors, “the god of cinema” Billy Wilder got a very well done movie.

Bogart’s unfriendly character was perfect for his role. He was so ridiculous when tried to entertain the young girl who was a threat for the union of two huge companies. As cold as ice, as he used to be, he try to seduce who already was in love with his brother David.

I must mention the magnificent custome designe in the movie that was worth the Oscar.

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The comedy is perfect as it’s the end, and Billy Wilder-style ending that leaves us with a taste of good cinema. An eternal romantic comedy that never will be old-fashioned.

Unforgettable scenes:

http://youtu.be/d_t_LlSUjaM

Images:

Fanpop.com

 

Philippe Halsman

This month the protagonist has been Sylvia Pares, from El Objetivo Magico. She chose Philippe Halsman as our master to copy in the photographic proyect in April. And I’ve had again the help of Monia Giannini as my main model. To be honest, it’s because of her that this challenge has been possible to achieve. Her contribution this month has been even more enthusiastic than the past month with Sarah Moon.

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Also I can’t forget to mention other contributors like the restorer Gustavo Santano, who prepared for us the bird made in cardboard that we used in the Tipi Hedren’s picture. Rodrigo, on the other hand posed in front of the camera with a young Marlon Brandon style.

pajaro.mosaico

Let me tell you a bit more about Philippe Halsman, our hero this month. He started his career as a Photographer in Paris back in the 30s. He loved using a innovative reflex-style camera with double lense that he designed himself. Halsman opened his own study in 1934.

When France was defeated in 1940 he had to leave the country and reached the United States thanks to Albert Einstein’s help. Over there he got started a metheoric career that took him to be the protagonist in 101 covers of the magazine Life. In addition he was required to take photos of the most relevant politicians and other celebrities in the country, like Marylin Monroe, Audrey Hepburn, Grace Kelly, The Kennedy family among others.

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Halsman also cooperated with Salvador Dali for 37 years. As a result, they launched loads of unusual photos named in series like Dali Atomicus or Dali’s Mustache… I had the chance to watch a few of them in a showroom last Summer in Madrid.

By the beginning of the 50s, Halsman started asking their models to jump right in the moment of the shot. These unique and full of energy images have become in an important part of his legacy.

All my colleagues from El Objetivo Magico and myself decided by the mid of the month to take photos of people jumping. It was the funniest experience in months!

If you have a camera nearby, just try it with family and friends!

Loads of laughs are guaranteed…

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Vera Cruz

Year: 1954.

Director: Robert Aldrich.

Stars:

Gary Cooper (Benjamin Trane).

Burt Lancaster (JoeErin).

Denise Darcel (Condesa Marie Duvarre).

Cesar Romero (Marques Henri de Labordere).

Sara Montiel (Nina).

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Curiosities:

 

  • Gary Cooper always complained of working with Sara Montiel. He ensured she smelt badly and that she never washed her hair.
  • It was the first movie in Superscope format, the predecesor of Super 35’.
  • Sometimes this film has been known as “the first spaghetti western” due to the influence of Italian directors like Sergio Leone.
  • Clark Gable recommended to Gary Cooper not to work with Burt Lancaster. “That boy will eclipse you on screen”, he said. Ironically, Gable did work with Lancaster later in another movie.
  • Ernest Borgnine and Charles Bronson decided to go buying tobaco when they where acting, which meant they had to saddle the horse and go dressed and armed like that to the closest city. On the way a truck full of federal officers thought they were bandits and they hold them prisoners.
  • The visual effects team used too much explosives to make a bridge blow, so many that some pieces reached Gary Cooper who was hurt.
  • Although the Emperor Maximiliano was represented with an age of 54 years old in the movie, he died at 34 for real.

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I’m not the kind of western fans, but when I got the list of vintage movies to review I thought I couldn’t leave aside our Spanish most well-known and international actres before Penelope Cruz.

Sara Montiel is very beautiful and really shine in her role as a young Mexican who lives thanks to little robberies. With no doubt, Sara eclipses the rest of the women stars of the movie and becomes in the true main woman character of Vera Cruz.

The film is really entertaining. I was surprised of Gary Cooper not doing a role as the good boy, although he isn’t the bad bad boy either. To be honest, I liked him better than Lancaster and he is the perfect half for Sara Montiel.

Lancaster, with his usual cynical and sarcastic style plays the role of a very common thug.

Back in the time of the release, it was a very violent movie (over the average). I’m sure it’s an icon for all western genre lovers.

Official Trailer:

By the way, I’ve been purchasing all movies I’ve been talking about along this blog, although you can find this entire one on YouTube. Here’s the link in case someone wants to see our Sara Montiel in her earlier years on cinema.

http://youtu.be/rg5KguVXIQU

Images:

Canaltcm.com

Montielprimerplano.blogspot.com

Abc

How to Marry a Millionaire

Year: 1953.

Director: Jean Negulesco.

Stars:

Marilyn Monroe (PolaDebovoise).

Betty Grable (Loco Dempsey).

Lauren Bacall (Schatze Page).

David Wayne (Freddie Denmark).

RoryCalhun (Eben).

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Awards:

Nominated for 1 Oscar to the Best Costume Design, Color (1954)

Nominated for a Bafta to the Best Film from any Source (1955)

Nominated for the WGA (Writers Guild of America) Award to the Best Written American Comedy.

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Curiosities:

  • When Lauren Bacall says as part of the script “I’ve always liked older men like the one in The Queen of Africa” she was refering to her husband for real, Humphrey Bogart.
  • This is one of the first movies shot in stereo audio format.
  • And the first film shot in Cinemascope, although The Robe was released first.
  • How To Marry a Millionaire has 254 scenes, too many of them for that time.
  • Lauren Bacall, who had been a model before being an actress gave a lesson on how to be models to the other two actresses.
  • This is the third movie where Betty Grable plays a role as a model looking for a millionaire to marry to.

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A perfect movie with all ingredients to succeed in theatres: Three beautiful actresses and a very entertaining plot.

Luxury, a bunch of money, glamour and beauty along with the Cinemascope made of this movie a very “rich” one, not focusign just in how rich their masculin characters were.

The country was living a very happy time and this film shows it off. Marylin Monroe was splendid, she’s been my favourite actress in the movie. She demonstrates once again she was born to make comedy. She’s the most charming naive in the history of cinema.

Lauren Bacall and her slim body gives the group the credibility they needed. And Betty Grable “the girl whose legs worth a million dollars” adds the smart point to the perfect trio.

I can’t forget to mention the extraordinary custom design. I think I’d get any and all of the party dresses you see in the movie. The man behind this good taste was William Travilla. No wonder why he got the nomination to the Oscars.

A very funny comedy that achieved a tremendous success in theatres. Besides, I’ve loved it!

 

Official trailer:

Images from the Premiere:

Unforgettable scenes:

http://youtu.be/-oyJHM5RtbA

Images:

sensacine.com

cianuroespumoso-alexandra.blogspot.com

vickielester.com

listal.com

rafaelcastillejo.com

 

 

With G for “Gemelos” (Cufflinks)

Cufflink: A fastener made with two pieces linked to a little rod or through a small chain. It’s used to close the cuffs in a shirt.

The cufflinks are designed only to be used when the shirt has buttonholes in both cuffs but they don’t have actual buttons. These cufflinks can be single or double and you can wear them either one in front of the other (like kissing) or overlapped. The most preferred ones are the first kind.

These pieces of jewelry are tipycally used by men. However, women have also adapted them to their style.

According to the National Cufflink Society there is proof of use of cufflinks in ancient hieroglyphs found in the King Tut’s tomb. Nevertheless cufflinks as we know them today started being used during the 18th Century.

It was the invention of the stamping machine with vapor along with the  electrometallurgy and the Guilloché’s turning machine that the kind of cufflinks we know today were able to be created. As for that moment, the process was handmade.

By the middle of the 19th Century this piece was popularize when French cuff shirts were fashionable – they still are today -. In that epoque was common to save a hair lock from a missed lover within the cufflink as a sign of shame and nostalgia.

In 1880, George Krementz registered in America a device to mass-produce buttons and cufflinks. As a consequence, from the mid 19th century onwards men in the middle and upper clases wore cufflinks. All of a sudden, most businesses in the US were ordering cufflinks for advertising purposes or as a gift for their clients.

Already in the 20th Century the fashion was to wear glazed coloured cufflinks made from gemstones. Artisans from Fabergé House travelled to America and Europe trying to teach worldwide this technique to be used in men jewelry.

If you are interested in the history of cufflinks and how they evolved over the years, don’t miss the Cufflink Museum in Conway (New Hampshire) where you’ll find over 70,000 pairs. I couldn’t find the website but if I finally do it, I’ll add it here as soon as possible.

One of the most completed collections I’ve heard of is the one belonging to the English Royal Family. There are three generations of kings in just one show of cufflinks, including the Eduardo VII, Jorge V and Eduardo VIII’s regins and their heirs. Nowadays is being extended by the current Prince of Wales.

Cufflinks are an elegant, discrete and long-lasting gift. It’s a memory for a whole life, a jewel that will pass from you to your heirs. They will live on.

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Mogambo

Mogambo

Year: 1953.

Director: John Ford.

Stars:

Clark Gable (Victor Marswell).

Ava Gardner (Eloise Y. Kelly).

Grace Kelly (Linda Nordley).

Donald Sidney (Donald Nordley).

mogambo (1)Awards:

It was nominated for two Oscars to Best Actress in a Leading Role and Best Actress in a Supporting Role (Ava Gardner and Grace Kelly).

Grace Kelly won the Golden Globe for Best Supporting Actress.

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Curiosities:

  • Grace Kelly and Clark Gable had a little romance during the shooting of the movie.
  • Ava Gardner had an abortion during the shooting. The father was Frank Sinatra.
  • Due to the Spanish censorship in that time, that didn’t allow scenes of any kind of adultery, introduced the Kelly-Sidney’s marriage like brother and sister. However, they appeared together in a bed in one of the scenes of the movie.
  • Maureen O´Hara was supposed to act in the role of Ava Gardner’s although Metro Goldwyn Mayer had a compromise with Ava Gardner and gave her this film. John Ford didn’t like the decision and was very rude with the actress.
  • Most of the film was shot in the Hollywood studios.
  • This is the first out of the two movies that MGM shot without soundtrack.

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Love, infidelity and jelousy… The jungle makes the man wilder. With many of the greatest stars of the time, the master of masters John Ford takes us to the African jungle with a trio formed by two women and a man.

A visibly older but handsome, brave and seductive Clark Gable competes under my opinion with Ava Gardner to win attention. Ava is marvellous in her role, showing off femininity, friendliness, slyness and a lot of sexual attraction. A beautiful wild cat who becomes in the undeniable main character of the movie, opposite to the boring and naive Grace Kelly. No wonder why she was known in Hollywood as “the frozen fire” Ava eclipses the rest of the stars. She is superb in her role.

I’m pretty sure the photography that Robert Surtees catched was surprisingly amazing for that epoque. The tour he does across the African jungle left open-mouthed to many of the viewers back in the 50s.

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I choose Ava, with no doubt. I really think she deserved to win an Oscar with this acting, although that year the Oscar went to Audrey Hepburn and her Roman Holyday.

Official Trailer:

 

Unforgettable scenes:

Images:

doctormacro.com

vanitatis.elconfidencial.com

josecarlosrincon.blogspot.com.es

www.elcriticon.es

amoviescrapbook.blogspot.com.es

Images of the main characters in the Kenyan reservation where part of the film was shot. Very interesting!

www.carrhartley.com

Mazer & Company Inc.

In the very early years of the 20th Century, the brothers Mazer – Joseph and Louis- began running a jewelry business in Philadelphia. It was 1917. After a few years they moved out to New York where they opened a jewelry shop that soon changed the name to Mazer&Company Inc.

From the beginning Macel Boucher was the designer of the business but in the mid 30s he abandoned them to establish his own enterprise.

Mazer&Company Inc started developing high quality jewelry using Swarovski cristal. They conquered the market with medium price pieces but today collectors consider their pieces very valuable.

In 1946 the two brothers left the nest: Joseph Mazer released Joseph J Mazer & Company (better known as JOMAZ) and Louis Mazer kept the original business until 1951 when he definitely stopped the comercial activity.

So it was Joseph Mazer who did the first Jobs for Jomaz the famous pieces dipped in gold. That was his clear emblem during the 60s.

And here’s one of those pieces; a brooch dipped in gold from the 60s. One of the pieces you’ll be able to see and enjoy in the next showroom that Lopez Linares is getting ready.

The first Mazer&Company Inc’s pieces are maked with the badge “Mazer Bros”. However, the last jewelry is already marked as “Mazer”, “Joseph Mazer” or “Jomaz”.

Jomaz had several designers along its short career: Andre Fleurida, Thierry Muglero or Sandra Miller were some of its artisans.

In 1948 an advert in the renowend Haper’s Bazaar magazine said about the brand:

“The precious look in fashion jewelry”.

Jomaz was closed in 1981.

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Roman Holiday

Year:1953

Director: William Wyler.

Stars:

Gregory Peck (Joe Bradley).

Audrey Hepburn (Princes Ann).

Eddie Albert (Irving Radovich).

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Awards:

It won the Oscar for the Best Actress in a Leading Role (Audrey Hepburn), Best Writing and Best Costume Design.

The movie also got many other awards I invite you to check in the IDBM website

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Curiosities:

  • Gregory Peck suggested that Audrey Hepburn should be over him on the credits. He knew she was going to win an Oscar.
  • William Wyler used to shot the same scene once and again. That didn’t happen with the “Mouth of Truth” scene though, when Gregory Peck hid his hand under his sleeve and Audrey Hepburn’s reaction was totally natural and unexpected. The scene was not repeated.
  • It was the first American movie entirely shot in Italy.
  • The scene in the Embassy took real Italian nobles who donated their salaries to charity. The last scene about the press conference, the journalists are also real ones.
  • Wyler was about to cancel the project because he just wanted Jean Simmons but she was not available.
  • It’s the forth film out of the 10 best romántica comedies of all times, according to the American Film Institute.
  • Cary Grant was one of the options for the main character, although he was already too old for the role. Years later he worked with Audrey Hepburn in Charade and the became close friends.

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Roman Holiday is a seductive and elegant romantic comedy that pushed its main character and the city up to the icons of Hollywood.

The movie was thought to be shot in Hollywood and starred by a first level actress, such as Elizabeth Taylor, among others. But Wyler insisted on making it in Roma, since the expenses would be lower if they shot in black and White and hired a totally stranger.

To being the first film where the young and charming Audrey Hepburn was main character, it was a complete success for critics, public and the Academy. She played her role like if it perfectly fitted her: an European Princess who join a journalist to go in search of adventures across the city. Of course the journalist ended up totally in love with her.

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We can’t forget those fabulous scenes over the Vespa or the funny scene in the Mouth of Truth. The movie is like a beautiful fairy tail adapted to reality.

Audrey’s true innocence was legendary and the reason public would adore her forever.

With an impeccable photography, the film walk through the city of Rome and show us some of its most popular places. The scene where both characters cross the city on a Vespa caused the worldwide interest in that vehicle.

It’s one of the most touching ends I’ve seen so far…

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In the image:

Audrey wears a wedding dress that never used eventually. While she was acting for Roman Holiday she was about to get marry with James Hanson, a playboy from London. However they broke up just a couple of weeks before the wedding.

Audrey asked one of the designers (Zoe Fontana) to give her wedding dress to other girl who cannot afford herself a dress like that. The fortunate was Amabile Altobello, a 20 years-old girl who lived right outside Rome. The dress was in auction in 2009 and was sold for 16,000 euros.

Source:  Smoda.elpais.com

Unforgettable scenes:

http://youtu.be/K3qYbzIZJEc

Audrey while receiving the Oscar:

Images:

Stripdancing.es

Filmarinar

Elpatiodebutacas.blogspot.com.es

Contraquerencia.blogspot.com.

Smoda.elpais.com

Sala66.tumblr.com

 

The Esotericism in Sandro Botticelli´s la Primavera

This artwork introduces us in the fascinating world of the Italian Renaissance. Towards the end of the 15th Century, Florence’s cultural and scientific level was much more advanced than most European cities. But what we are not told is that Florence’s magical knowledge was also the most advanced in Europe.

Yes, a magic world ruled human beings during the Western Renaissance, and in this world Florence was always ahead the rest of cities. Scholars that were at the same time wizards and astrologers trained their pupils and noble lords.

In that atmosphere of wisdom and magic one of the best artworks in History, Sandro Boticelli’s La Primavera (Spring), is born.

The present article uncovers, at last, all the mysteries that have surrounded this picture from its conception.

Live with me this exciting adventure.

Esperanza Parra López has a Bachelor’s degree In Art History and her academic profile includes 17 A+ and 7 subjects graduated with honours. She is our April’s Vintage Blogger and has brought in exclusive to our blog her research work about the famous picture Sandro Botticelli’s La Primavera (Spring). For this work the Spanish Ministry of Education awarded her a Research Scholarship, and in that Scholarship she graduated with honours.

Here you can find the link to the complete research work. A true jewel.

Sandro Botticelli’s La Primavera (Spring).

By Esperanza Parra López.

Image:  La Primavera. (Spring). Sandro Botticelli. 1477-1482. Uffizi©.